It’s hard to work out where there’s space for the electronics amongst the connectors and batteries, and I know of nothing else this small that is able to match the F6’s remarkable capabilities. So far, so conventional but, incredibly, this is all contained in a package measuring just 100 x 63 x 120 mm and weighing 520g without batteries. A caddy of four AA batteries slots underneath, while a bracket at the rear accepts a Sony L‑series battery pack. To that end, the unit is equipped with six full‑size XLRs (three on each side), with most of the user controls on the front panel surrounding a small colour display. The F6 is fundamentally an eight‑track audio recorder, capturing six discrete balanced mic/line inputs to separate tracks, along with a stereo mix of those tracks (if required). When launched, the F6 was the first portable recorder to offer a native 32‑bit floating‑point recording format, obviating the need to set gain controls manually. Most obviously, it takes Zoom’s miniaturisation to a whole new level while retaining most of the functionality of the F8n, and even adding some important new tricks of its own. However, whereas the F4 essentially followed the same conventional form as the F8 and F8n, the F6 takes a far more radical approach to its design, both inside and out. Its smaller multitrack sibling, the F4, was effectively replaced by the F6 which was first shown at NAB in 2019. The current range features five recorders, with the F8n as the flagship model. Zoom’s F‑series field recorders are renowned for offering high‑quality multichannel audio recording at very attractive prices, and being notably more compact than the competition. With 32‑bit recording, six inputs and a stereo mix facility, as well as impressive battery life, this versatile compact recorder should have wide appeal.
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